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Thesaurus of Synonyms and Antonyms in Dictionary Form

• Sales Rank: #5566236 in Books
• Published on: 1977
• Binding: Hardcover

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Review

"The enduring, passionate classic on architecture and Venice." -- Washington Post Book World 10/19/03

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About the Author

John Ruskin wrote over forty volumes of art and architecture criticism during the nineteenth century. J. G. Links is the author of Venice for Pleasure.

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Product details

Paperback: 264 pages

Publisher: Da Capo Press; 2nd edition (July 10, 2003)

Language: English

ISBN-10: 030681286X

ISBN-13: 978-0306812866

Product Dimensions:

5.6 x 0.8 x 8.6 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#207,393 in Books (See Top 100 in Books)

This edition of Stones of Venice fills a real need: enough of the whole to give the reader a sense of continuity and arc of Ruskin's argument, but without the countless digressions and details. We get a good lesson in architecture, especially in the virtues of the gothic arch; we get the historical account of the Byzantine, Gothic, and Renaissance styles; and we see Ruskin's moral and historical purposes, as he tells the story of Venice as a "rise and fall" narrative. There are some surprising omissions, namely, the famous excerpted passage from "Nature of the Gothic." But the editor, I think, wisely left that out, keeping everything focused on the historical perspective of Venice; and besides, it's so frequently found in collections of Ruskin's writings. So the immense work is boiled down to about 250 readable and engaging pages.

This is abridged version, which is perfectly OK for most of us, as much of the complete version consists of very detailed and hard-to-follow architectural analysis. Some of the writing is brilliant and inspiring. I imagine some will take issue with Ruskin's basic thesis, that art and civilization have been on the decline since somewhere in the early 14th century. A lot of interesting history, well worth the journey.

"The Stones of Venice 111", by John Ruskin is a writing of his that critiques Greek, Roman, Gothic and Renaisance Art. He appreciates Gothic Art, especially the Christians Churches but states that it is not suitable for the other faiths. To him the Renaisance art work is grotesque because it does not have its orgin in the soul of man, but is dependent on science and ideas. The sculpture of fiqures on burial vaults have been replaced with curtains, and instruments of the decease, however if an angel or fiqure is present there in no facial expressions.He emphasizes the main ingredient of art is to include the soul in artistic work. There is to be a new art but it cannot come from theories of the past.A very good book with a lot of useful information.SPRArchaic and Classical Greek Art (Oxford History of Art)Nike of Samothrace Winged Victory Greek Goddess Statue, 11-inchA History of Roman ArtSigns and Symbols in Christian Art: With Illustrations from Paintings from the Renaissance (Galaxy Books)

Ruskin was the foremost art critic of the Victorian era. This Oxonian was a gentleman of universal and unusual talents.In 'The Stones of Venice' he reviews that fertile depository of so different cross currents of arts, the 'Serenissima Republica', which had no better exit than by sea through the Adriatic.When Marcel Proust visited Venice, hand in book as his guide, he walked and saw through the eyes of Ruskin. You should too and your scope of art appreciation will expand towards new frontiers.High art in Venice in particular and in Europe in general are no longer produced because the Spirit has left its carcass, which is rotting and decaying, just as Venice was by the time Ruskin walked its narrow alleys and across its street bridges. And because that Spirit has left Europe it no longer produces geniuses of the caliber of John Ruskin.

This edition is a highly abridged version of this classic. Many of Ruskin's best passages have been completely removed. This should have been stated up front in the description of the book, but it is not.

The book printing was terrible, shame on the printers and shame on You for not overseeing the quality of merchandise you carry.I refused to give my opinion before so that maybe I could be more diplomatic but I am still disturbed.Now...WHAT ARE YOU GOING TO DO ABOUT IT?

You can't go two sentences without finding words erroneously mashed together without a space separating them. The kindle edition isn't worth a dollar for howannoying it isto attempt to read it withall the missingspaces. Whoever digitized this needs to get their act together.

Watch out - extremely Victorian writing style. Many disagree with Ruskin but the fact remains that he delivers an aesthetic algorithm that prepares the reader to think about architecture and other art forms.

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• Published on: 1993-08-26
• Binding: Hardcover

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The integration of the blind into society has always meant taking on prejudices and inaccurate representations. Weygand's highly accessible anthropological and cultural history introduces us to both real and imaginary figures from the past, uncovering French attitudes towards the blind from the Middle Ages through the first half of the nineteenth century. Much of the book, however, centers on the eighteenth century, the enlightened age of Diderot's emblematic blind man and of the Institute for Blind Youth in Paris, founded by Valentin Haüy, the great benefactor of blind people.

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• Sales Rank: #5288723 in Books
• Brand: Brand: Stanford University Press
• Published on: 2009-08-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.55 pounds
• Binding: Hardcover
• 424 pages

• Used Book in Good Condition

Review
"In this erudite, sensitive, witty, and impeccably-documented book Zina Weygand draws from the rich tradition of the French Annales school, while also offering something completely new. Thanks to her energy and creativity as a researcher, we meet scores of people who might otherwise be "victims of the vagaries of existence," from the first troupe of blind actors to the "individualist, dirty, noisy, and quarrelsome" residents of the Quinze-Vingts hospice.... Weygand's in-depth study of the reciprocal relationship between the social treatment and representations of blind people from the Middle Ages to the middle of the nineteenth century invites readers to reconsider the ocularcentric roots of modernity."
—From the foreword by Catherine Kudlick, University of California, Davis

"Until recently, historical studies of disability [...] have had difficulty finding their bearings [] Zina Weygand's work on the blind [...] is new evidence of the vitality of historical research in little known and insufficiently explored domains." —Le Monde Initiatives

"I must first of all underscore the contribution Zina Weygand has made to the history of the longue durée that is still sorely lacking in disability studies. The history of the disabled and of disabilities is barely twenty years old. It still has almost no place in universities. It has been introduced by pioneers who have had recourse to history, in response to practices and social policies they find questionable [...]" —Esprit

About the Author
Zina Weygand is a researcher at the Centre de Recherche sur le Travail et le Développement at the Conservatoire National des Arts et Métiers in Paris.

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Audible Audiobook

Listening Length: 10 hours and 16 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Westburg Publishing

Audible.com Release Date: March 23, 2018

Language: English, English

ASIN: B07C8HK3CH

Amazon Best Sellers Rank:

I went with 3 stars, although it probably is on the generous side, because I really liked the main characters. But the book could be much better than it is.1) The blurb Kindle displays and I saw when I first chose to download this book has absolutely nothing to do with the book. Seeing as the cover seems better suited to the blurb than the content, I suspect the wrong manuscript is contained.2) The writing is frequently tell-y and filter-y. Cleaning this up could significantly increase the quality of the book overall.3) The question of the fireworks issue is resolved but it is overshadowed by a more significant issue for a large section of the book and that issue is completely neglected in the conclusion. It is left hanging.4) I almost gave up on this book early on because of the predominance of the sex scenes in the first many chapters and the extremely graphical nature of the sex scenes. The scenes do fit the characterization and have impact on character development so they aren't there simply for their own sakes. They were just too much for my personal taste. This relates to the graphical details and descriptions that feel more like porn than anything else, not the gender of the partners involved.So my overall conclusion is that while I really like the two main characters and the development of their relationship, it wasn't a very satisfying read.

** 4.75 stars **This book is definitely better than the previous 2 books for me. I find it hard to connect with Thayne and Jarret as a couple and this book helped me a lot with this. The personal side of this story features not only s*e*x but also family ties and connections as much as Jarret's past which until now is really shady and makes him a dark horse. I liked that he was more open about himself and it made him more approachable for me and easier to like. Thayne on the other hand is very much an open book and the way he is with Jarret and his family really endeared him to me. So I am liking them more and more.As far as the case goes this one was absorbing, well-researched and well-written. The whole situation with mine workers and the mine itself shows not only the one person problem but the issues in the entire town and how the corruption and deceit affect everybody both as a whole and as individuals. It's a crime against miners' community and all their families. The support system is amazing among them and it helps Jarrett and Thayne to work faster and actually facilitates their way into the heart of the problem and finding its solution. I would have liked a little less of the coal mine lingo but I guess it was unavoidable in order to make it more genuine. The second part of the book was a page turner and I enjoyed it very much, it was the build up to it that was a little slow moving for me.Another small issue I had with this book was a tad too much inner monologue done by both MCs. I would have liked more conversation rather than internal musings spanning several pages at a time. It made me slightly impatient and I almost gave into the urge to skim *unforgivable finger twitch* some paragraphs. But I resisted.Otherwise I truly enjoyed both Tayne and Jarret and their recent adventure and I can say that I would love to read more bout them. I will recommend it!

I would have liked to give this book a higher rating if I had been able to but I can't so these 5 stars are given wholeheartedly. Although I enjoyed the first two books in this series this one somehow got to me - the love Jarrett is feeling for Thayne and the love Thayne is feeling for Jarrett just got to my feelers. The way the author described their feelings, their looks towards one another just makes you feel as if your there watching them... the way they make love either passively or aggressively just makes you want to sigh as you gaze at them from the corner of the room where you are secretly hiding. (Lol) Jarrett's interaction's with his father and his brothers was the best I have read about in quite some time as usually family is not very forgiving when confronted with differences. Now my most favorite part is when the main characters are in the mine trying to run out and get trapped because of the explosion they both feared so much and finally confess their love to one another... Oh my goodness these guys really just made me reach for a tissue to wipe my tears - So Sweet ! and please I will not talk about the Epilogue - was that not the best ending ever!!! Ms. Patricia Logan as always I bow to you... you as a writer are amazing.

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